Folk Music

   
 
 
 

starting at

$10
  • product
"Gatherings" (1998) Folk Bok, Gordon, Timberhead MusicPersonnel: Gordon Bok (nylon 6-string guitar, 12-string guitar, viol, cellamba); Carol Rohl (harp); Quasimodal Chorus, January Men (vocals); Small World Orchestra (strings). Producers: Gordon Bok, Anne Dodson, Carol Rohl. Recorded in Northport, Maine. Includes liner notes by Gordon Bok.

starting at

$10
 

starting at

$7
  • product
"Soviet Kitsch" (09/21/2004) Folk Spektor, Regina, Sire Records (USA)Personnel: Regina Spektor (Fender Rhodes piano); Bear Spektor (vocals); Oren Bloedow (guitar); Jane Scarpantoni (cello); 4x4 Quartet (strings); Graham Maby (bass guitar); Alan Bezozi (drums); Gordon Raphael (percussion). Additional personnel: Kill Kenada. Regina Spektor's major-label debut, SOVIET KITSCH, presents the singer/songwriter's unique music in all its quirkiness and glory. Spare, piano-dominated arrangements frame Spektor's wispy singing, which at times is bold and theatrical in a manner that recalls Bjork, at others shy and fragile like Chan Marshall (AKA Cat Power). Except for the ragged punk rock of "Your Honor," the album is dominated by acoustic piano, allowing Spektor's unique songs--with their blend of storytelling, lyrical association, whimsy, satire, and heartfelt confession--to shine through. The music is sometimes willfully primitive, as on "Poor Little Rich Boy," with its sing-song melodies, tumbling lyrics, and countertop percussion. Although Spektor can verge on being cloyingly child-like, she also delivers meticulously crafted, detail-packed songs of great intensity and passion ("The Flowers") and sketches sweepingly beautiful metaphors ("Us"). Spektor effaces seriousness and self-importance with her endearing sense of humor, relishing silliness and absurdity that is nevertheless rooted in emotional truth (particularly on "Chemo Limo"). The mixture of irreverence and sincerity, of traditional songcraft and indie sensibility, is mighty appealing, making SOVIET KITSCH a debut to note.

starting at

$7
 

starting at

$8
  • product
"Against Me! Is Reinventing Axl Rose [PA]" (03/19/2002) Folk Against Me!, No IdeaAgainst Me!: James Bowman, Tom Gabel (vocals, guitar); Dustin Fridkin (vocals, bass); Warren Oakes (drums). Recorded at Goldentone Studios, Gainesville, Florida, in December 2001 & January 2002. Personnel: Sam Jones (vocals, background vocals); Jordan Kleeman (Moog synthesizer, background vocals). Recording information: Goldentone Studios (07/23/2001-01/12/2002). Against Me!'s Reinventing Axl Rose is an impressive debut that manages to combine fist-in-the-air singalong choruses, lagered-up rhythms, and urgent drumbeats with the underground, raw intensity these punks are known for live. It's a dynamic record that not only stands firm in its own right, but also hints at a propensity for songwriting in Tom Gabel -- the group's hoarse, politically conscious singer/songwriter -- just starting to be fully realized. From the rowdy, country-influenced drinking anthem "Pints of Guinness Make You Strong," to the somber closing notes of "8 Full Hours of Sleep," Against Me! performs every track with the passion of those who truly believe a song among friends can start a movement for change. The band's leftist political agenda is often offset by empowering social lyrics boasting sentiments of unity, individualism, and self-awareness. Tracks like the lively and rebellious "Those Anarcho Punks Are Mysterious..." declare that "We rock/Because it's us against them/We've found our own reasons to sing," while the album's title track urgently professes, "Everyone would leave with the memory that there was no place else in the world and this was where they always belonged." Often deviating from the standard punk musical blueprint, Against Me!'s blend of energetic folk/punk rock is nothing short of refreshing and engaging. Reinventing Axl Rose is a true classic that brings listeners right into the dirty basements and dive bars that birthed the band -- and serves as the foundation to where they would head next. ~ Corey Apar

starting at

$8
 

starting at

$9
  • product
"The Knuckleball Suite" (04/18/2006) Folk Mulvey, Peter, Signature SoundsPersonnel: Peter Mulvey; David "Goody" Goodrich, Kris Delmhorst, Sean Staples, Mike Piehl, Lou Ulrich. Boston singer-songwriter Peter Mulvey's solo effort conjures shades of Van Morrison's early freewheeling musical attitude; his eclectic musical approach is immediately apparent on this ambitious collection of songs, which is presented in a loosely improvisational style by a talented pool of musicians whose performances rely on empathy as much as on musical charts.

starting at

$9
 

starting at

$11
  • product
"Another Land Made of Water" (1994) Folk Bok, Gordon, Timberhead MusicPersonnel includes: (vocals, 12-string guitar, whistle); Ann Muir (guitar, flute); Patricia Bok (harp).

starting at

$11
 

starting at

$6
  • product
"B-Sides [EP] [PA] [Digipak]" (08/03/2004) Folk Rice, Damien, Warner Bros. Records (Record Label)Personnel: Damien Rice (vocals, guitar); Lisa Hannigan (vocals); Vyvienne Long (cello); Shane Fitzsimons (bass guitar); Tomo (drums). In the wake of Damien Rice's success with his 2003 debut and the placement of his songs in the Academy Award-nominated film CLOSER, B-SIDES served a stopgap until he was able to roll out a full-length follow-up. The mix of unreleased demos and live cuts that make up this set (all of which were previously unreleased in the United States) gives a peek at the early steps of the Rice creative process. "Volcano," for example, is not only rendered in an instrumental version chock-a-block with darting string arrangements and deftly plucked acoustic guitar, but in its demo form as it was originally recorded directly into a Walkman on December 3, 1997, shortly after it was written. Also noteworthy is "Moody Monday," an ethereal number that swirls and undulates with chanted refrains of the title provided by Rice and background singer Lisa Hannigan. Most striking is the live unplugged version of "Woman Like a Man," which benefits greatly from the composer's duet with the equally airy sounding Hannigan and the deft use of cello accompaniment. B-SIDES ends up being a nice recorded document for anyone wanting to sample the varied compositional talents of Damien Rice.

starting at

$6
 

starting at

$5
  • product
"Magical Ring [Remaster]" (08/25/2003) Folk Clannad, RCA Records (USA)Clannad: Pol O'Dugain, Maire Ni Bhraonain, Pol O'Braonain, Noel O'Dugain, Ciaran O'Braonain. Additional personnel: Ed Deane (electric guitar); Alan Dunn (accordion); Charlie Morgan (drums); Frank Ricotti (percussion); James Delaney. Recorded at Nova Studios, London, England and Windmill Lane Studios, Dublin, Ireland. This album recorded by Irish Celtic folk rock band Clannad features ten songs including "Theme From Harry's Game" and "Tower Hill." German version contains extra material. In the US, the progressive Irish folk group Clannad is best known for two things. The first is being the older siblings of new age star Enya (who was in the group briefly, singing on their breakthrough 1982 album FUAIM, to which 1983's MAGICAL RING is the follow-up). The second is composing one song, "Harry's Game," which became a freak hit in the early '90s after being used in a widely seen Volkswagen commercial. That song, originally written for a British TV movie, is the leadoff track here. With its floating keyboard lines, lovely minor-key melody, and reverb-heavy overdubbed wordless harmonies, it defines the style Clannad would refine for the rest of their career. Not at all far from what pop artists like Kate Bush and the Cocteau Twins were experimenting with at the time, the experimental but relentlessly lovely music on MAGICAL RING is as rooted in pop and new age music at least as much as it is in Celtic folk.

starting at

$5
 

starting at

$5
  • product
"American Songbook" (02/22/2005) Folk Horne, Marilyn, Decca (USA)

starting at

$5
 

starting at

$8
  • product
"Ocean: Songs for the Night Sea Journey [Digipak]" (02/01/2005) Folk Jennifer Cutting, Sun Sign RecordsPersonnel: Jennifer Cutting (vocals, accordion, piano, organ, keyboards); Grace Griffith, Lisa Moscatiello, Maddy Prior, Polly Bolton, Sylvie Berger, Gabriel Yacoub, The Ocean Orchestra, Tatiana Sarbinska, Dominick Murray, Chris Noyes, Tatiana Sarbinska, Theadocia Austen, Karen Chittenden, Anne Harrison, Andrea Loewenwarter, Diane Weinroth (vocals); Troy Donockley (guitar, E-bow, whistle, Uilleann pipe); Zan McLeod (guitar, bouzouki); Tony Cuffe (guitar, harp, whistle); Blake Althen (guitar, programming, loops, sampler); John Jennings (guitar); Sue Richards (celtic harp); Kim Miller, Peter Wilson (violin); Peter Knight (fiddle); Lisa Ponton (viola); Marcio Botelho, Eliot Davis (cello); Rico Petrucelli (bass guitar); Steve Missal (drums, congas); Dave Mattacks, Andy Hamburger, Steve Loecher (drums); Myron Bretholz (bodhran); Larry Kolota (percussion, programming); Marco Delmar (percussion). Ensemble: Slaveya. Jennifer Cutting isn't a huge name in the folk-rock world, but if Ocean: Songs for the Night Sea Journey is any indication, the Washington, DC-based songwriter, arranger and producer is well worth getting to know -- especially if one fancies folk-rock with a strong British Isles influence. Cutting, in fact, has so many British, Irish and Celtic influences that one could easily assume she has from that part of the world. But Cutting is definitely an American; she just happens to have a major appreciation of British, Irish and Celtic folk -- and that British Isles influence asserts itself quite strongly on original material like "The Gladdest Breeze," "Call of the Siren" and "My Grief on the Sea" (all of which underscore the tranquil, pastoral nature of her work). There are a few songs on this CD that aren't entirely original; "If You Are Near," for example, combines a classical aria by Johann Sebastian Bach with English words. But Cutting's own songs dominate this 2004 release, which demonstrates that she's a stellar writer able to coax superb performances out of the assembled group. So who is the target audience for Ocean? Anyone who has spent a lot of time savoring British folk will appreciate the way Cutting draws on influences like Fairport Convention, Sandy Denny, June Tabor and Steeleye Span; in fact, two of Cutting's guests on this album (Maddy Prior and Peter Knight) have been with Steeleye Span. Prior is one of the four vocalists bringing Cutting's vision to life, the others are Polly Bolton, Grace Griffith and Lisa Moscatiello. \Celtic folk enthusiasts will also enjoy the way Clannad and the Chieftains have affected some of Cutting's writing. But Cutting is her own person, and this pleasing effort lets us know that she has an appealing folk-rock vision of her own. ~ Alex Henderson

starting at

$8
 

starting at

$10
  • product
"Dreams of the Song Dog" (10/25/2004) Folk Williams, Jack (Vocals), Wind RiverPersonnel: Jack Williams (vocals, acoustic & electric guitars, mandolin); Kirk Johnson (harmonica); Jay Spell (accordion); John Tiedemann (bass, background vocals); Steve Klinck (drums, background vocals). Recorded at Magic Tracks Studios, Nashville, Tennessee. Jack Williams' Dreams Of The Song Dog is a touching, subdued collection of confessional songs, highlighted by his lilting mandolin and a collaboration with his friend, the late Harry Nilsson. ~ Sara Sytsma

starting at

$10
 

starting at

$12
  • product
"Tribute" (06/15/1999) Folk MacLean, Dougie, Blix Street RecordsTRIBUTE is a tribute to the poetry and music of Robert Burns, Neil Gow and Robert Tannahill. Personnel: Dougie MacLean (vocals, acoustic & electric guitars, acoustic & electric bouzoukis, fiddle, harmonium, keyboards, percussion, programming); Jimmy Anderson (electric guitar, bass); Gordon Duncan (whistle); Davie Duncan (harmonica, bodhran); Ali Napier (piano, keyboards); Jim Sutherland (percussion). Producers: Dougie MacLean, Graeme Hughes, Jennifer MacLean. Personnel: Dougie MacLean (vocals, acoustic guitar, bouzouki, fiddle, harmonium, keyboards, percussion, drum programming); Jimmy Anderson (electric guitar); Davie Duncan (harmonica, bodhran, percussion, background vocals); Graham Hughes (keyboards, percussion, drum programming); Jim Sutherland (percussion). Audio Mixers: Dougie MacLean; Graham Hughes. Illustrator: Jennifer MacLean. Photographer: Craig MacKay. Arrangers: Dougie MacLean; Graham Hughes.

starting at

$12
 

starting at

$19
  • product
"The Tokyo Tapes" (03/11/1997) Folk Brothers Four (The), Folk Era RecordsThe Brothers Four: John Paine (guitar, vocals); Terry Lauber (guitar, mandolin, vocals); Mark Pearson (6- & 12-string guitars, banjo, vocals); Bob Blick (bass, vocals). Personnel: Mark Pearson (vocals, guitar, 12-string guitar); Terry Lauber (vocals, guitar, mandolin); John Paine (vocals, guitar); Bob Flick (vocals). Audio Mixers: Dan Dean; Bob Flick. Recording information: Aoyama Gekijo Theater, Tokyo, Japan (04/19/1996-04/20/1996); Shibuya Kokaido Concert Hall, Tokyo, Japan (04/19/1996-04/20/1996). Arranger: Mark Pearson. This 1996 concert recording is as good a record as the Brothers Four -- yes, the same group that started out in 1958, with two original members still on board -- have ever done. It intersects surprisingly little with the repertory of either of the group's early-'60s live LPs, but plays to some unexpected and extraordinary strengths. "The Green Leaves of Summer" and "Greenfields are present, but most of the rest ranges far from the group's classic repertory, to numbers like "500 Miles," "Scarlet Ribbons," "Where Have All the Flowers Gone," and other songs associated with rival folk acts of the same period. The quartet harmonizes beautifully on "City of New Orleans," "Wabash Cannonball," and "This Train," all part of the "Railroad Medley" that ends with a spirited "Rock Island Line." The real surprise, however, is their "Bluegrass Medley" -- no one expects the Brothers Four to be virtuosi on the level of Flatt & Scruggs, and they're not, but they give such loving renditions of "Foggy Mountain Breakdown" and "Mountain Dew" (coming out of "Will the Circle Be Unbroken" and "Darlin' Corey") that it's a very moving experience. Just as compelling is their bold rendition of "Whiskey in the Jar" (a song that may be more familiar to Peter, Paul & Mary fans as "Gilgarra Mountain"), which is also a brilliant showcase for Mark Pearson's cascading banjo playing. Disc two focuses somewhat more on their love of gospel and calypso music, and even the opening "American Medley" is so sweetly played and sung that it's hard not to love it, even if there are more inventive ways of singing "Saints Go Marching In." "Where Have All the Flowers Gone" is performed with the kind of fervor that makes one feel it's almost a new song, and "Greenfields" isn't far behind. The Tokyo Tapes is an astonishing album overall and, amazingly, could be exactly the place for interested listeners to start enjoying the group. ~ Bruce Eder

starting at

$19
 

starting at

$1
  • product
"From My Hands" (06/02/2004) Folk Christian, Frank, PalmettoPersonnel: Frank Christian (vocals, guitar, acoustic guitar, electric guitar, electric 12-string guitar, 12-string guitar); Lee Satterfield, Nanci Griffith (vocals, background vocals); Matt Balitsaris (electric guitar); Kid Java (harmonica); Garth Hudson (accordion); Jeff Berman (vibraphone, percussion); Peter Herbert (acoustic bass); Peter Abbott (drums). Audio Mixer: Scott Ansell. Recording information: Alex The Great Studios, Nashville, TN (11/1994-03/1995); East Hill Studios, New York, NY (11/1994-03/1995); N.R.S., Woodstock, NY (11/1994-03/1995). Photographer: Joe Rosen. Frank Christian spent the '80s establishing himself as one of the premier songwriters in the Greenwich Village scene that included people like Suzanne Vega and Shawn Colvin, but he never achieved the same measure of commercial success as his aforementioned peers. Most likely, his blend of folk, jazz and blues was too idiosyncratic to be mass-marketed. FROM MY HANDS was his first album of new material since a self-produced '80s recording subsequently reissued by Palmetto. It was worth the wait. His fluid, jazzy vocals and his sophisticated songcraft match Christian's virtuosic technique on both acoustic and electric guitar. From the acoustic fingerpicking of "Three Flights Up" to the country feel of "Night Time" and the ominous, jazz-inflected "Separate Solitude," he proves himself a performer and writer of exceptional ability.

starting at

$1
 

starting at

$3
  • product
"Distillation" (10/10/2000) Folk McKeown, Erin, Signature SoundsPersonnel includes: Erin McKeown (vocals, various instruments); Dave Chalfant (electric guitar, upright & electric basses, percussion, samples); Katryna Nields, Beth Amsel (background vocals). Recorded at Sackamusic Studios, Amhearst, Massachusetts between October 1999 & January 2000. Personnel: Erin McKeown (acoustic guitar); Dave Chalfant (acoustic guitar); Lorne Entress, Dave Hower (drums); Ed Mckeown, Katryna Nields, Ben Demerath, Beth Amsel (background vocals). Virginia-born and New England-based, Erin McKeown's musical roots seem to lie somewhere in the deep South. Throughout her aptly named debut, DISTILLATION, you can hear echoes of Robert Johnson, G. Love, the Faulknerian landscape of the first couple albums by the Band, and most obviously, the rural mythos best explored, from entirely different angles, by those Louisiana-born Williams non-sisters, Victoria and Lucinda. While nowhere near as helium-pitched, McKeown shares Victoria's fondness for odd, jazz-inflected phrasing, especially on the swooping vocal melody of the Tin Pan Alleyish "Didn't They?," on which McKeown soars and dives like a drunken seagull, or the Billie Holidayesque trills in "The Little Cowboy." What McKeown has in common with Lucinda Williams is her wry but essentially romantic, tradition-rooted but not bound lyrical stance. The countryish "La Petite Mort," with its sly sex-and-religion twining, would not have sounded out of place on CAR WHEELS ON A GRAVEL ROAD.

starting at

$3
 

starting at

$3
  • product
"Strange Histories" (04/25/2006) Folk Raynard, James, One Little Indian (USA)Personnel: James Raynard (vocals, guitar, mandolin, fiddle); James Raynard; Richard Masters, Richard Masters (guitar); Jim Moray (bouzouki, concertina, piano); Gavin Davenport (cittern); Nick Cooke (melodeon); Peter Rophone (double bass). Recording information: Kinnersley Castle, Herefordshire, England. Photographer: Daniel Horrocks. Arranger: James Raynard. Traditional British folk is a tough genre to begin your career in. James Raynard, like many a budding minstrel, found his first muse in Bob Dylan, but intensive folklore studies at Sheffield University redirected his internal compass back to the rustic songs of his childhood. The dark and hopeless tales of drink, spirits, and doomed love that inhabit all good English homes proved too great a temptation for the young multi-instrumentalist, and he soon found himself a friend in folk legend Martin Carthy. You can hear Carthy's influence on Strange Histories, a sparse, self-arranged rendering of 11 traditional pieces that also brings to mind the work of A.L. Lloyd, Ewan MacColl, Paul Clayton, and Peter Bellamy. Raynard's elegant baritone, understated fiddling, and intricate guitar drift through Kinnersly Castle like the dead themselves, pausing in forgotten corners and dusty towers to consider their fates. Fans of Alasdair Roberts, Patrick Wolf, and John Wesley Harding's Love Hall Tryst project will find much to love here, as will anybody fond of Victorian ghost novels, roaring fires, and leather bound books. ~ James Christopher Monger

starting at

$3
Folk Music calling your name? Find all of the top Music gear that you want at ShopRoid. Compare prices from top brands like as well as . Browse ratings from merchants that sell Folk Music and other Music. Narrow your choices down by price range, brand, merchant, and more. Find the product that's right for you: Gatherings by Gordon Bok (CD - 1998) - Soviet Kitsch by Regina Spektor (CD - 09/21/2004).