Rock & Pop Music

   
 
 
 

starting at

$7
  • product
"Blood Guts & Pussy" (09/08/1998) Rock & Pop Dwarves, Sub Pop Records (USA)Dwarves: Blag Jesus (vocals); Salt Peter (guitar); He Who Can Not Be Named (bass); Vadge Moore (drums). Recorded at Reciprocal Recording, Seattle, Washington in 1989. The song "Fuckhead" is listed on the CD package, but does not appear on the CD. With a title like Blood Guts & Pussy, an album cover which features three nude models drenched in animal blood, and song titles like "Let's Fuck," "Fuck You Up and Get High," "Motherfucker," and "Fuckhead," the Dwarves had obviously redirected their style since Horror Stories. Gone is the subtle suggestiveness of that album, replaced by explicit exploitation and genuinely disgusting humor. Of course, most won't find the Dwarves very humorous; it takes a sick mind to appreciate the Dwarves' celebration of statutory rape on "Let's Fuck" or vocalist Blag Jesus' anger at a girl afraid of AIDS on "SFVD." Thirteen songs full of general punk sloppiness and distortion performed in 14 minutes. [Note: Many pressings of the CD are missing the track "Fuckhead" and the bonus untitled "Bitch" track, although all versions of the CD have "Fuckhead" on the track list.] ~ Matt Carlson

starting at

$7
 

starting at

$32
  • product
"The Layla Sessions: 20th Anniversary Edition [Box]" (09/18/1990) Rock & Pop Derek & the Dominos, Polydor (USA)Derek & The Dominos: Eric Clapton (electric & acoustic guitars, vocals), Duane Allman (electric & acoustic guitars, slide guitars), Bobby Whitlock (organ, piano, acoustic guitar, vocals), Carl Radle (bass, percussion), Jim Gordon (drums, piano, percussion). Engineers include: Ron Albert, Steve Rinkoff, Chuck Kirkpatrick. Producers: Tom Dowd, Derek & The Dominos, Bill Levenson. Recorded at Criteria Studios, Miami, Florida from August to October 1970. This box set was digitally remixed and remastered by Bill Levenson and Steve Rinkoff at The Power Station, New York from May to June 1990. Includes a 16-page booklet with session notes, annotations and an essay by Gene Santoro. Personnel: Eric Clapton (vocals, guitar); Bobby Whitlock (vocals, piano, organ); Dickey Betts, Duane Allman (guitar); Albhy Galuten (piano); Jim Gordon (drums, percussion); Butch Trucks (drums); Carl Radle (percussion). Audio Mixer: Steve Rinkoff. Liner Note Author: Gene Santoro. Recording information: 08/26/1970-10/02/1970. By digitally remixing and remastering these sessions, the producers have resurrected one of Eric Clapton's greatest achievements, his instrumental and songwriting peak. Musically, Clapton was inspired by his new rhythm section and challenged by fellow guitar hero Duane Allman, whose torrid slide guitar makes blues-blasts like "Nobody Knows You When You're Down And Out" and "Key To The Highway" so compelling. And from the classic title song (with drummer Jim Gordon's famous piano coda), to rivetting performances of "Why Does Love Got To Be So Sad," "Have You Ever Loved A Woman," and Jimi Hendrix's "Little Wing" each and every metaphor is etched in blood and longing, framed in wailing guitars. Disc 1 is the legendary LAYLA double-LP. The jams which comprise disc 2 illustrate the evolution of the session, while the alternate masters, jams and outtakes on disc 3 will certainly be of interest to casual fans and completists alike. All in all, few rock albums from this era have the staying power and poetic immediacy of LAYLA. In the years after Cream disbanded and his collaboration with Steve Winwood in Blind Faith had sunk, Eric Clapton teamed with keyboardist Bobby Whitlock, drummer Jim Gordon, bassist Carl Radle, and guitarist Duane Allman under the name Derek & the Dominos to write and record some new material. The result was this 1970 masterpiece. Shot through with a passion informed by the tumultuous nature of Clapton's own life and career at the time, LAYLA AND OTHER ASSORTED LOVE SONGS plays like a primer for classic rock, with incendiary dueling guitars, swirling organ, blues-styled vocals, and punchy bass and drums. Covers of "Nobody Knows You When You're Down and Out" and Hendrix's "Little Wing" are given fresh interpretations, and the originals, most of which Clapton co-wrote with Whitlock, are by turns fierce, melancholic, and celebratory. The epic "Layla," clocking in at seven minutes and featuring blazing solos all around, pushes the album to its culmination. Throughout, Clapton's playing, spurred by Allman's stellar leads, is beautiful enough to induce cardiac arrest, and LAYLA ranks among the most inspired, soulful, and affecting works in his entire discography.

starting at

$32
 

starting at

$5
  • product
"From the Muddy Banks of the Wishkah" (10/01/1996) Rock & Pop Nirvana (US), DGC (David Geffen Company) (USA)Nirvana: Kurt Cobain (guitar, vocals); Pat Smear (guitar, background vocals); Krist Novoselic (bass); Dave Grohl (drums, background vocals); Chad Channing (drums). Compilation producers: Krist Novoselic, Dave Grohl. Recorded live between 1989 and 1994. Includes liner notes by Krist Novoselic. Personnel: Kurt Cobain (vocals, guitar); Pat Smear (guitar, background vocals); Dave Grohl (drums, background vocals); Chad Channing (drums). Audio Mixer: Andy Wallace. Liner Note Author: Krist Novoselic. Recording information: Astoria Theatre, London, England (12/05/1989-01/05/1994); Civic Center, Springfield, MA (12/05/1989-01/05/1994); Del Mar Fairgrounds, CA (12/05/1989-01/05/1994); Great Western Forum, Los Angeles, CA (12/05/1989-01/05/1994); ll Castello Vi De PortaCastello 41 Rome (12/05/1989-01/05/1994); Paradiso, Amsterdam, The Netherlands (12/05/1989-01/05/1994); Paramount Theatre, Seattle, WA (12/05/1989-01/05/1994); Pier 48, Seattle, WA (12/05/1989-01/05/1994); Reading Festival, Reading, England (12/05/1989-01/05/1994); Seattle Center Arena, Seattle, WA (12/05/1989-01/05/1994). Photographers: Mark Kates; Lisa Johnson ; Kevin Mazur; Charles Peterson . The electric smashes and thrashes compiled on FROM THE MUDDY BANKS OF THE WISHKAH were originally intended as half of a double album; the other half would have been the acoustic show released as MTV UNPLUGGED IN NEW YORK. But after Kurt Cobain's death, UNPLUGGED was released on its own, and the task of putting together a live electric disc was put aside for a couple years. Now completed, FROM THE MUDDY BANKS OF THE WISHKAH (named for a river that cuts through Nirvana's hometown, Aberdeen, Washington) serves as a perfect mirror to UNPLUGGED. Where that one offered a recontextualization of Nirvana's oeuvre, this one offers a reaffirmation of the band's raw power. All the elements that made the band a legend are present here: piledriver rhythm section, scabrous guitar work that combines a Neil Young-ish tone with a punk sensibility, and Cobain's anguished, sandpaper vocal delivery. Many of Nirvana's best-known songs are included in versions that double the intensity and aggression (and sometimes the speed) of the original recordings. "Smells Like Teen Spirit" finds the band charging at a pace that suggests its life depends on reaching the end of the song. "Scentless Apprentice" is a raging howl that makes the original version sound like a beer commercial.

starting at

$5
 

starting at

$16
  • product
"Mercury Theatre: On Air!/Survival of the Fattest *" (04/11/2000) Rock & Pop !Action Pact!, Captain Oi! Records (UK)Personnel: Grimly Fiendish (drums). Recording information: Greenhouse Studios, Vancouver, British Columbia, Canada; Pineapple Studios; Wickham Studios.

starting at

$16
 

starting at

$5
  • product
"The Rug *" (07/25/2005) Rock & Pop Big Ass Truck, Terminus RecordsBig Ass Truck includes: Robby Grant (vocals, guitar); Steve Selvidge (guitar, keyboards, background vocals); Grayson Grant (acoustic & electric basses); Robert Barnett (drums, percussion); Colin Butler (programming, loops, turntables). Recorded at Easely-McCain Studios, Memphis, Tennessee. Proof positive that eclectically for its own sake is not necessarily a good thing, this Memphis-based quintet's experimental rock sound is difficult to pin down. Sure, the lineup may seem normal at first glance, with vocals, two guitars, bass, drums, and a fifth man handling loops, beats, and turntables. But Big Ass Truck's sound jumps around more than hyperactive kangaroos listening to House of Pain, making The Rug a largely hit-and-miss proposition. The opening track, "The Path," may have you ready to compare them to Medeski, Martin & Wood, but the tweaked-out jazz-pop of "The Wardrobe" is so damn jumbled, you'll start to second-guess your first impression. The piano-driven pop of "Locked In" may remind you of a less compositionally mature Ben Folds, but the hypnotic percussion, spaghetti western guitar, and children's chant of "The Me" sounds like nobody you've ever heard before. Ultimately, Big Ass Truck comes across as either a young band still in search of its own sound, or a frustrated one who've been through the industry ringer enough times to just have fun and not give a damn what critics think. Either way, it makes for a frustratingly erratic listen. ~ Bret Love

starting at

$5
 

starting at

$7
  • product
"Girls to Chat & Boys to Bounce" (05/23/2006) Rock & Pop Foghat, Wounded Bird RecordsPersonnel: Lonesome Dave Peverett (vocals, guitar); Erik Cartwright (guitar, background vocals); Nick Jameson (keyboards, background vocals); Roger Earl (drums, shaker). By the time Girls to Chat & Boys to Bounce hit record stores in 1981, it had been ten years since Foghat had released their first American single "I Just Want to Make Love to You," and even though the veteran London blues/boogie rock outfit had a rather long list of commercial accomplishments, the wavering quality and focus of their music in the late '70s had shaken the band's core fan base and slight critical appeal. The stomp and the swagger were replaced by glitter and global tours, rust turned to chrome, howlin' blues to raunch and roll. So bandleader Lonesome Dave Peverett continued an experiment he had tentatively begun a year earlier on Tight Shoes: drawing on new musical influences from the burgeoning punk and new wave scene in and around London. While not exactly a new wave recording, certain tracks on the Bearsville release, especially the ode to London pub thuggery "Wide Boys," are decidedly minimal, modern, and just plain un-bluesy. In general, the arrangements on the record are sparse, the songs and solos are short, and the sound is tighter throughout -- with tracks like "Let Me Get Close to You," "Wide Boys," and "Delayed Reaction" being the best examples of the bizarre commingling of a Elvis Costello influence with Foghat's reflexive blues sensibilities. An interesting effort, Girls to Chat & Boys to Bounce might actually captivate extremely open-minded new wave fans and Foghat completists. ~ Vincent Jeffries

starting at

$7
 

starting at

$1
  • product
"Moral Minority" (07/05/2003) Rock & Pop The Moral Minority, CD Baby (distributor)

starting at

$1
 

starting at

$4
  • product
"Party Tyme Karaoke: Love Songs, Vol. 2 [2006]" (06/06/2006) Rock & Pop Karaoke, SybersoundUnlike a lot of karaoke discs, some volumes in Sybersound's Party Tyme Karaoke series give karaoke enthusiasts the benefit of being able to choose between instrumental and vocal versions. The discs typically begin with the instrumental versions and then repeat the program with the vocal versions of the same songs. The renditions of the songs are functional -- the vocals tend to be somewhat buried in the mix, just loud enough to guide you without overpowering your voice -- but hardly substitute for the originals. Party Tyme Karaoke: Love Songs, Vol. 2 includes instrumental and vocal versions of "You Light Up My Life," "My Funny Valentine," "One in a Million," and "Can't Help Falling in Love." If you have a CD+G karaoke machine, the lyrics will appear on your screen. ~ Andy Kellman

starting at

$4
 

starting at

$7
  • product
"From Where the Sun Now Stands I Will Fight No More, Forever" (07/16/2002) Rock & Pop Drunk Injuns, Alternative TentaclesDrunk Injuns: Joey Headbone Restless Spirit (vocals); Stoned Wolf, Wholley Smokkes (guitar); Johnny Yuma (bass); Sittin Duck (drums). Recorded between 1982 and 1997. This is part of Alternative Tentacles' Skate-Punk Reissues series. Personnel: Wh?lley Sm?kkes (guitar); Ray Stevens, Tony Guerrero (acoustic guitar). Audio Mixer: Tony Guerrero. Recording information: Tom Mallon Studio (1982-1984). Photographers: Tom Cogan; Nick Nichols. Long before Slipknot went platinum and the X-Games became a nationally broadcasted sporting event, Drunk Injuns wore scary Native American garb and masks while helping pioneer skate rock, a genre that came about in the early '80s that combined punk rock's nihilism with the skater ethos. Despite doing very little at the time recording-wise, the band's legacy has lived on, prompting the reissue of nearly impossible to find recordings by the band. This disc contains recordings from a self-released cassette entitled My Dad Butch (1983) and also Frontside Grind, the band's 1987 full-length LP, though nothing from the live Crimes Against Humanity 10" that the group considers its formal debut. Also tacked on are two tracks from Ancestors: Gods of Sound, a side project at the time. From Where the Sun Now Stands I Will Fight No More, Forever is more than a historical document, however; though it embodies California, empty swimming polls, and big, fat neon-colored skateboard wheels, the spirited, guitar-heavy punk rock that fits nicely alongside early Suicidal Tendencies efforts as post-Dead Boys discipleship holds up surprisingly well. It's a little rough around the edges, but that's what punk rock is supposed to be no matter how new it is, and the production is surprisingly strong given the age of the original recordings. ~ Brian O'Neill

starting at

$7
 

starting at

$2
  • product
"Make It with You and Other Hits" (09/17/2002) Rock & Pop Bread, Flashback RecordsAudio Remasterers: Allen Steelgrave; Bob Fisher . For most listeners, the main goal of procuring themselves a record by soft rock greats Bread is to have the songs "Make It with You" and "If," making this budget compilation from Rhino Flashback a wise and economical investment. Those looking for a more comprehensive collection should pick up Rhino's superior 20-track Best of Bread anthology. ~ James Christopher Monger

starting at

$2
 

starting at

$3
  • product
"Songs from the Last Century" (12/14/1999) Rock & Pop Michael, George, Virgin Records (USA)Contains a hidden track at the end of track 10. Personnel includes: George Michael (vocals); Rob Mathes, Torrie Zito, Rob Mounsey (arranger, conductor); Jeff Mironov, Hugh Burns, Phil Palmer, Howie Gondewe (guitar); Elena Barere, Laura Hamilton (violin); Sue Pray, Maryhelen Brennard (viola); Richard Locker, Diane Barere (cello); Corky Hale, Stacey Shames (harp); Pamela Sklar, Katherine Fink (flute); Virgil Blackwell (clarinet, bass clarinet); Diane Lesser (oboe); Kim Laskowski (basoon); Rich Dallesio (English horn); Jim Hynes, Tony Kadleck (trumpet); Charlie Pillow, Andy Snitzer, Ken Hitchcock (woodwinds); Rob Mathes, Rob Mounsey (piano); Chris Cameron, Peter Gordeno (keyboards); David Finck (acoustic bass); Steve Walters (bass); Lewis Nash, Shawn Pelton, Frank Tontoh (drums); Danny Cummings (percussion). Recorded at Right Track Studios, New York, New York. Includes liner notes by Phil Spector. SONGS FROM THE LAST CENTURY was nominated for the 2001 Grammy Award for Best Traditional Pop Vocal Album. Whatever you want to say about the ubiquitous George Michael, you can't brand him as lacking in the confidence department. It somehow isn't surprising that he would take it upon himself to capture the legacy of the past hundred years on SONGS FROM THE LAST CENTURY. What is surprising are the unique choices--this isn't a standard set of standards. George has managed to span and reflect the last hundred years with 10 tracks, few of which come close to belonging to that fraternity of the century's hackneyed covers. The songs are all presented, whether they be Depression-era ballads ("Brother Can You Spare a Dime") or punk/new wave anthems ("Roxanne"), in a blowsy, bluesy, super-laid-back style. With all his pop-dance leanings and overblown hits, it's almost easy to overlook a key facet of George Michael's success; the man can sing. On tracks like Rodgers & Hart's "Where or When" and the breathy, breathtaking cover of that U2/Eno side project the Passengers' "Miss Sarajevo," George's lilting tenor smooths its way right into the heart. The perfect time capsule for upcoming generations regarding the 1900s it's not, but it does stand as a fine collection of timeless tunes from timed eras.

starting at

$3
 

starting at

$1
  • product
"Dear John" (02/21/2006) Rock & Pop Ex-Boyfriends, Absolutely KosherRecording information: Castle Ultimate Studios, Oakland, CA (01/2005). Queer power punk trio the Ex-Boyfriends' debut album is full of Buzzcocks-like energy and vocals lifted from 1970s-era Cure on tracks like "Him For Me" and the careening "It's Not Me, It's You." The album only pauses in its headlong rush for the downbeat "Well William," while the crowd-pleasing "Stop, Drop, Rock & Roll" is one of the few songs here that doesn't concentrate on dissecting the minutiae of relationships gone, or about to go, sour.

starting at

$1
 

starting at

$7
  • product
"Love Songs: A Compilation...Old and New" (09/28/2004) Rock & Pop Collins, Phil, Rhino Records (USA)Personnel: Gerald Albright (soprano saxophone); Harry Kim (flugelhorn). Audio Mixers: Chris Lord-Alge; Don Murray ; Hugh Padgham; Allen Sides; Phil Collins; Tom Lord-Alge. Audio Remixer: Allen Sides. Recording information: Toulouse, France. Photographers: Sebastian Copeland; Julian Broad; Guzman/Rotterdam Conservatory Orquesta Tipica. Arrangers: Roberta Flack; Brad Cole . This 2004 collection features romantic hits that Phil Collins personally chose from his extensive solo catalog, including the emotive "Against All Odds," the pleading "One More Night," and the gentle "You'll Be in My Heart." However, there are also obscure tunes found here, and these songs make this compilation unique. For example, this two-disc set includes a rehearsal version of Cyndi Lauper's "True Colors," a song Collins often covered in concert during the late 1980s. This R&B-inflected rendition contains a clever vocal arrangement from Amy Keys and Brad Cole that employs rich harmonies, leaving the instrumental accompaniment in the backseat. Another Collins rarity is his live version of the Jerome Kern song "The Way You Look Tonight." Collins's take on this standard avoids being overly sentimental, with Harry Kim's impassioned flugelhorn solo adding a jazzy and sensitive tone. For fans of Collins's softer side, LOVE SONGS is quite a treasure.

starting at

$7
 

starting at

$2
  • product
"Hot Hits '97, Vol.1 *" (1997) Rock & Pop Celebrity All Star Jam, Platinum Disc Corp.

starting at

$2
Rock & Pop Music calling your name? Find all of the top Music gear that you want at ShopRoid. Compare prices from top brands like as well as . Browse ratings from merchants that sell Rock & Pop Music and other Music. Narrow your choices down by price range, brand, merchant, and more. Find the product that's right for you: Blood Guts & Pussy by Dwarves (CD - 09/08/1998) - The Layla Sessions: 20th Anniversary Edition [Box] by Derek & the Dominos (CD - 09/18/1990).